‘ARTist’ is a piece that explores how everyday images and moments inspire us, and how important we are in the struggle of today’s world. Choreography by Mukhtar Omar Sharif Mukhtar
This piece was performed in collaboration between Cirque du Soleil and Nevada Ballet Theatre.

1.”Lost & Found” by Amon Tobin,

2.”Comptine D’un Autre Ete:L’apres” by Yann Tierson,

3.”Crystallize” by Lindsey Sterling,

4.”Dialectics” by Anthony Anaxagorou

Mr Mukhtar O.S Mukhtar has been directing, choreographing and dancing for the past 12 years and began at the age of 18. It was his dream as a child to be a performer. He attended the University of Westminster in London UK where he studied Forensic science from 2003-2005. Also, at the same time as studying, Mukhtar was training hard in his dancing and choreographic ability, during this time, mukhtar was in the process of creating one of the most successful hip hop company (PLAGUE) to come out of the UK. Mukhtar created Plague in 2000 and handpicked the dancers he thought would bring his vision to the stage. After training his dancers intensely for 2 years, Mukhtar then led the company to their first UK Streetdance championship beating 25 other companies to the prestigious prize of being the best in the UK in 2003.
Mukhtar with his crew PLAGUE then decided to defend their crown in 2004 and became the first Hip Hop Company to win the UK streetdance championships 2 years in a row. This was a great achievement and showed how mukhtars work and creativity was expanding.
Mukhtar Led Plague to their 3rd UK championship success by winning the UK (Idance) Hip hop championships in 2005 meaning they were selected to represent the UK at the WORLD Hip Hop international Championships in Los Angeles, USA where they competed against 30 other nations.

Mukhtar became the latest addition to The Beatles LOVE by Cirque du Soleil at the Mirage in Las Vegas and the show has since won 3 Grammy awards and performed on big shows such as:

The tonight show (jay Leno), Americas got talent, Larry King Live, The NHL awards, BBC “IMAGINE” television special, 3D Movie with James Cameron and Andrew Adamson, due in theaters August 2011 and many more.

Mukhtar has since Choreographed 2 special events shows for Cirque du soleil, flown out to India to dance in Bollywood movie ‘Singh is King’, hired to be an assistant choreographer and performer in the 2008 Beijing Olympic opening and closing ceremonies

Mukhtar was also requested to judge the UK streetdance championships as his knowledge and experience for the dance had flourished. He was also in the same show awarded ‘Most outstanding achievement award’ for his contribution to streetdance and the arts in the UK.
He was also contacted by the hip hop international championships in Las Vegas to judge the US hip hop championships in 2009.

Anthony Anaxagorou began writing short stories and poems at the age of 14 influenced mainly by both hip-hop and folk music until in 2002, at the age of 17, he entered and won the London Mayors Poetry Slam with his poem Anthropos.[1] Following this he made a number of television and radio appearances where he read out various poems, including a live recital on BBC London Radio and a television interview followed by a recital with Vanessa Feltz on the Community Channel.

In 2009 he published his first book Card Not Accepted, which stands as a collection of essays, short stories and poetry all reflecting moments from his life and an overall commentary of western living. Much of his work consists around the spiritual search for inner peace and the detachment from various societal ideals, however a huge section of his work encompasses themes that deal with politics, racism, history and philosophy. He writes from his own personal experiences in a style that is honest and compelling, this is what has so far won him the admiration and affection of many.

In May 2009 the poem “Himself” taken from the book Card Not Accepted, was chosen by MOBO award winning hip hop artist Akala to be read out on BBC News Night Review as part of the arts and poetry weekend.

He has also attended workshops set up by the Hip-Hop Shakespeare Company and the Royal Shakespeare Company who collectively came together to discuss more innovative and captivating ways Shakespeare could be taught in schools across Britain.

June 2010 saw the release of his fourth publication. A digital ebook entitled The Lost Definition of Hope which featured a number of poems written over a space of four months. A portion of the books price was given to Médecins Sans Frontières, an independent organisation who deal with getting aid out to countries caught in heavy conflict.[3]

In November 2010 he toured the UK supporting MOBO award winning hip-hop artist Akala in his ‘DoubleThink’ tour. He performed poetry from all the major titles of his work in cities including London, Manchester, Birmingham, Exeter and Liverpool.

In July 2011 he wrote a spoken word piece called If I Told You which begins by questioning the validity and accuracy of historical documentation especially that regarding Africa. The poem then begins to explore current affairs, propaganda systems, the prison industry complex as well as the more existential issues such as ego, love, insecurity and hope.

‘A Tree Never Grown’

Mos Def Featuring Fre, J-live, Invincible, Wordsworth, A.L., Kofi Taha, Tame One, Jane Doe n Grafh.


Hip Hop for Respect was a 2000 project which released one EP for Rawkus Records. It was organized by Mos Def and Talib Kweli to speak out against police brutality in general, and the case of Amadou Diallo in particular.

[88 Keys]

Yo, this is 88…
This is for Amadou Diallo
Rest in peace, you still here 

[Fre]

Yo, I’m in a brownstone singin like Brownstone
Bird’s eye view wit the bodega
Know Omega like Rakim
Thinkin about brother Diallo
I find it hard to swallow
Cuz 41 is a hard act to follow
Who is it, it can happen tomorrow
Goes down all the time in some African community
This one just hit closer to home
Cuz it happen it in our backyard
This that *shit* bring us closer to home
They ask “What you writin fo’? What you writin on that paper fo’?”
Don’t ask me nuttin, just tell me
How is safer got me safe, that’s why my raps sour
My peoples screamin “Black power!” and la razah
From the Bronx, police bustin, it’s redemption time

[J-Live]

Now in the squad car, CPR’s supposed to be the motto
But in they minds, they be like “Yo, I’ma do Diallo”
I guess master’s noose was a bitter pill to swallow
Cuz nowadays, tips ain’t the only things that’s hollow
Constitution, 41 more holes in it
And cops swingin sticks like they tryin to win the pennant
And stickin sticks places where they ashamed to admit it
But that’s the straw that broke the camel’s back
THEY GON’ GET IT!!

[Rubix]

Possessed by a nervous twitch and itchy writin finger
41 strokes through the barrel of pen for Amadou
More than a few of my personal friends
Since the beginning, it seems like it never ends
The story, ancient as lyrical allegory and it’s all gory
The Little Shop of City Hall Horrors
Who bakes infiltrate, agent, provocator mission statement
Assassinate the Senate candidate, heavenly mandate

[Chorus: Mos Def]

We proceeded on a country road
His mother’s eyes withered swoll
Her child was never comin home
Said a prayer for his soul
As the coffin had closed, committed to the earth below
First seed she would sew, would be a tree never grown
Shade that was never known
Who controls the Terrordome, the member hearts made of stone
Who love only what they own

[Invincible]

Stay on your toes for a true bruise description
Match blue suits, walkin round wit a stick and *edit*
Ready to blast wit the wrath of a hollow tip
And the fact is my task is a scholarship
I feel it in my chest cavitity
The only death’s apathy, so I change it for who’s next after me
And that’s the fullest reward
Keep the face of the lost on my bulletin board

[Wordsworth]

Yo yo, it’s blue uniform, sirens, names, and badge numbers
Clubs, walkie-talkies, recipies for bad summers
Frisked, pissed after I tuck in my stuff
I really think they just like touchin my *nuts*
What’s real stain they thoughts
Swear, but they won’t say it in court
All they do is change the report
Riots, tryin to keep the crowd under control
They even got shows, Cops, LAPD, Highway Patrol yo yo

[A.L.]

From the cradle to the grave, they made you a slave
Brainwash to kill each other, that’s the plague that they made
I search em like readin scripts that could save you today
White is right, black is wrong, that’s the label they gave
Fryin in hell, applyin jails, they got you dyin in cells
Triple six in the mix, Levine to ?spell?
Prepare for the worst, and try to hope for the best
I take a stare at the hearse, can we cope wit the stress?

[Kofi Taha]

I live in the land of punches
Illegal chokeholds and excessive gunshots
Where there’s one millionaire for every billion empty pot
And Adolf Guily think we static but he’s in for a shock
They come wit automatics but we flip it
Use the one, create the four glocks and while stocks get washed
While school doors get locked and when jobs get blocked
The confi-dence get’s rock
And when the welfares drop into the jails we stock now
After Amadou wrestlin wit freedom tacks my mind into a headlock
But *fuck* H&R, I’m a true cat
Refundin power back to our Blocks

Chorus

[Tame One]

Good life, you can bubble or struggle
Use your brain muscle if you hustle
Don’t let nobody touch you
Don’t even trust the ones that trust you
Cuz the ones you showin love to might bust
Seekin as a cancer, my man got shot by Haitians or Jamaicans
? wit confrontations and school my mind’s racin
I pride these sensations over this, now I’m hopin this
We shine for, I never got a chance to rhyme for
My role models sold bottles and stole cars
And when they got locked, I accepted all the phone calls
That’s when *niggas* was real
Back before I had a deal
Back when people called Villsburg Hooterville
ILL!!!

[Jane Doe]

My mind wonders on melodic jams
An exotic bird, caged wit the rage and the violence of my words
The same things I down I turn around and do
The white cops say *Fuck you* but I say *Fuck you too!*
Truth be totally hypocrites
And materialistic society, spirituality shunned or
While young kinds get gunned on
Hibernatin in projects, which you project-ing
The pigs is crucifyin but Africans is resurrectin, Jane Doe

[Grafh]

Battacky, sends cops to come and catch me
He better send a runnin back to run and track me
When I’m runnin through the back streets
The rat teeth of beast lovin to black me
Eatin brothers like a picinic color cuz that’s sweet
To lock a man up in prison, the standard of livin
Thinkin they make a better bred of man
Than the man when he went in
Rub up a man for sinnin
Handcuff his hands to the system, banned from his wisdom
Wit insanity in him, his mind roams wit like a cyclone
Damagin victim, his eyes hold savage within him
Wrath wit the venom, poison his life
No ointment to boisten the might
If it’s on the left, walk to the right
Until death, do your part do your life
Like a boyfriend and wife, because the day times shorter than night
You know?

Chorus

[88 Keys]

Yo, black is fragile remember that
Cherish everyday
Live life to the fullest, aight?

 

Amadou Diallo had been shot and killed by the New York City Police Department the previous year when he attempted to retrieve his wallet and the police fired 41 shots at the unarmed man, so the subject of police brutality was prevalent.

The project aimed to assemble 41 emcees to represent the 41 shots. Rappers featured on the EP include Kool G Rap, Rah Digga, Sporty Thievz, Shabaam Sahdeeq, Common, Pharoahe Monch, Posdnous, Dante and Main Flow of Mood, Nine, Tiye Phoenix, Breezly Brewin’ of Juggaknots, Punchline, Imani Uzuri, EL-P and Mr. Len of Company Flow, Aesop Rock, Jah Born of Medina Green, What? What?, John Forté, Fre, J-Live, Rubix, Invincible, Wordsworth, A.L., Kofi Taha, Tame One, Jane Doe, Grafh, Shyheim, Channel Live, Wise Intelligent, Crunch Lo, Rock of Heltah Skeltah, Nonchalant, Ras Kass, Dead Prez, & Parrish Smith.

Producers included DJ Khalil, Organized Noize, and 88-Keys.

 Text: Wikipedia

A Litany For Survival: the Life and Work of Audre Lorde

For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children’s mouths
so their dreams will not reflect
the death of ours:

For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother’s milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.

And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid

So it is better to speak
remembering
we were never meant to survive

- Audre Lorde, The Black Unicorn

An epic portrait of the eloquent, award-winning Black, lesbian, poet, mother, teacher and activist, Audre Lorde, whose writings - spanning five decades - articulated some of the most important social and political visions of the century. From Lorde’s childhood roots in NYC’s Harlem to her battle with breast cancer, this moving film explores a life and a body of work that embodied the connections between the Civil Rights movement, the Women’s movement, and the struggle for lesbian and gay rights. At the heart of this documentary is Lorde’s own challenge to “envision what has not been and work with every fiber of who we are to make the reality and pursuit of that vision irresistible.”

Reviews

“An inspirational testimony and powerful portrait of a remarkable woman who continues to inspire a whole new generation of women today.”
- Noelle Reilly, QFest, 2009

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